| Page # | Item | Description |
|---|---|---|
| 45-50 | Lincoln | see footnotes for chapter 1 |
| 45 | General Lee’s soldiers escorting Lincoln | |
| 45 | Gilded Age (how it relates) | |
| 45 | The River Queen | |
| 45 | yokel-dokel | |
| 45 | the Scotch plaid cap and cloak | |
| 47 | Slave mother milk (real or myth) | |
| 47 | Lord Tennyson as an aesthete | |
| 47 | Sir Baron | |
| 47 | Tennyson’s poem on slave mother milk and Ennui | |
| 47 | Ennui | |
| 47 | Milieu | |
| 48 | William Wells Brown “the writer” | |
| 48 | Napoleon III at this time | |
| 49 | Dennis Carter “The Painter” |
 “Lincoln’s Drive Through Richmond” Real artist who painted historically significant events in America. One civil war era painting, “Lincoln’s Drive Through Richmond”, would be most relevant to the text. |
| 49 | Carter painting Lincoln signing the Emancipation Proclamation | 
This Francis Carpenter painting depicts the first reading of the Emancipation Proclamation. This is the closest painting to match the description, but is not done by Dennis Carter. |
| 49-50 | Money worth (confederate vs. union) | |
| 50 | Golden fluid hair slick as a hair treatment elixir | |
| 50 | “Bookie odds” phrase |